Tyler Atwood recalls waiting.
William Cullen Jr. watches clouds clear.
Colin Dodds assesses textures.
Kelly Dolejsi writes to Emily Dickison and of life.
Alejandro Escude thinks of sailboats.
Lauren Jeter looks for light.
Dah Helmer finds A Missing Story.
Peter Leight writes on escaping.
Julia Lisella considers hunger.
Benjamin Drevlow ponders his big brother's suicide and wants to know one thing -- how he did it.
Eric Fretz gathers memories around an old farmhouse table.
Kyra Hill finds freedom in change.
Ann Hillesland recalls music.
Jean Masthay distills football moments.
Anthony Cordello picks names and pops pills.
Elizabeth Heald bathes jellyfish and leashes pet birds.
Ann Hillesland remembers abalone.
Jane Marcellus tracks family.
Nitzan Meltzer discusses motherhood and marriage.
Meghan Phillips and Amy Rossi teach how to be a Rhonda.
Heather Whited imagines what happens behind the masks and wigs.
Mark Brazaitis quarterbacks the confusion.
William Cass portrays looking for a connection.
Mark Connelly talks about biscoti and life.
Clinton Craig gets in trouble with imaginary friends.
Natalie Dagan orchestrates chaos.
Ashley Schneider tells of fearlessness.
Rees Nielsen shares vivid paintings.
Toby Oggenfuss captures motion.
Bill Wolak presents three dramatic collages.
You are presently reading the
December 2017 issue of Gravel.
This magazine is produced by the MFA program
in creative writing at the University of Arkansas at Monticello editorial staff.
Cover image by Rees Nielsen
Make sure you check out our Blog so you can keep up with news about our contributors, read intriguing tidbits we glean from here and there, and because you've read our current issue and are thinking, that's it, nothing more to read?
If you want to follow us on Twitter, which you probably do, here you go.
If you want to Like us, which is probably the neediest verb/noun device in modern history, but I mean, we really do want you to like us and we could probably use the traffic on Facebook, well this is the place.
Click Archives to check out the great work we've published in the past.